Ülkü Çağlayan :: ülcue chalayan

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	<title>Ülkü Çağlayan :: ülcue chalayan</title>
	<link>https://ulkucaglayan.com</link>
	<description>Ülkü Çağlayan :: ülcue chalayan</description>
	<pubDate>Wed, 27 Sep 2023 10:54:19 +0000</pubDate>
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		<title>WORKS</title>
				
		<link>https://ulkucaglayan.com/WORKS-3</link>

		<pubDate>Thu, 20 Jan 2022 10:32:51 +0000</pubDate>

		<dc:creator>Ülkü Çağlayan :: ülcue chalayan</dc:creator>

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		<description>
	

&#38;nbsp; &#38;nbsp;WHAT IF I SURRENDER TO TIMEDurational Performance&#38;nbsp; &#38;nbsp;TIME TO KISS A STRANGERPatricipatory Performance&#38;nbsp; &#38;nbsp;WE WERE NEVER MEANT TO SURVIVE
Performance for Video&#38;nbsp; &#38;nbsp;BRINK OF THE ABYSSInstallation

&#38;nbsp; &#38;nbsp;POLYANDROGYNOUSTUNNEL FOR CONTINUOUS BARDOSInstallation&#38;nbsp; &#38;nbsp;HEAD TO HEAD
Performance
&#38;nbsp;&#38;nbsp; MAKING SENSE&#38;nbsp;Research - Creation, Performance, Installation&#38;nbsp; &#38;nbsp;TO PROTECT EVERYTHING FROM EVERYTHING ELSE Performance, Speculative Research, Installation&#38;nbsp; &#38;nbsp;POEMS AND DIALOGUES
	&#38;nbsp;

&#60;img width="1106" height="1472" width_o="1106" height_o="1472" data-src="https://freight.cargo.site/t/original/i/ce87ee5879baa43d0c54b29a807473fc3daab90da0fc5af575d63d53281a1423/making-sense-webAsset-1144x.png" data-mid="130840351" border="0" data-draggable src="https://freight.cargo.site/w/1000/i/ce87ee5879baa43d0c54b29a807473fc3daab90da0fc5af575d63d53281a1423/making-sense-webAsset-1144x.png" /&#62;


 &#38;nbsp;

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	<item>
		<title>ABOUT</title>
				
		<link>https://ulkucaglayan.com/ABOUT</link>

		<pubDate>Mon, 04 Oct 2021 10:45:41 +0000</pubDate>

		<dc:creator>Ülkü Çağlayan :: ülcue chalayan</dc:creator>

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	My first artist book; generated from my performance, Making Sense is now at Printed Matter: see &#38;amp;&#38;nbsp;purchase here
“Making Sense” performans kitabını buradan satın alabilirsin.Check my IG account for 2026 Social Dreaming Matrix series

“Social Dreaming Matrix”&#38;nbsp; 2026 serisi başlangıç tarihlerini IG hesabımdan takip edebilirsiniz.&#38;nbsp;


PERFORMANCE WORK
Metamorphika Studios, London2024 Time to Kiss a Stranger, Participatory Performance

Performistanbul, Istanbul2024, What If I Surrender to Time, Durational Performance, 21 hours

Feralpy Exhibiton, Flux Factory Residency, NYC
2023, ``We Were Never Meant to Survive``

The Crypt Gallery, London2023, ``Polyphonic`` Group Show,
Scattered Nomadic Episodes with Meng Qing 

Tate Late X Royal College of Art2023, &#38;nbsp;Pneuma, Participatory Performance

Istanbul Cinema Museum, Istanbul2022,&#38;nbsp; Head to Head,&#38;nbsp; Participatory Performance


EDUCATION
MA, Contemporary Art Practice

2022-2023 Royal College of Art, London
Select Group Show
2021 Mamut Art Project , Istanbul


Facilitation2022 Body as Erotic Site, Laboratory
2020-...&#38;nbsp;Social Dreaming Matrix, Method&#38;nbsp;SOCIAL DREAMING MATRIX FACILITATION
2020&#38;nbsp; The Laboratory for Social Choreography at Duke University, in partnership with the Centre for Social Dreaming


	CV
CV

BIO
Ulku Caglayan is a practice-led artist working across performance and
facilitation. 
She uses performance as a generative process through
which text, spoken word, sound, installation, and moving image emerge.

Drawing from dream states, pre-verbal experience and embodied
imagination, she creates situations that examine how human behaviour
emerges in real time.

She is a facilitator of the Social Dreaming Matrix and is also trained
in Intimacy Coordination for film.

Her first artist book, Making Sense, is distributed by institutions
including Printed Matter, Claire de Rouen, and Jameel Arts Centre.
She was also the founder of Circuit, a socially engaged arts and culture
organization. For Circuit’s portfolio, click here.
ARTIST STATEMENT


Her work is invested in ethics and politics of rehearsals, workshops and foregrounds radical togetherness. 
She uses these structured environments to create visceral performancess and guides them through improvised speech and readings from constructed texts where trust, attention, imagination and relational dynamics become active elements of the work itself. 


“Social Dreaming Matrix” yeni serisi Kasım 2023’de başlıyor.


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	<item>
		<title>Home</title>
				
		<link>https://ulkucaglayan.com/Home</link>

		<pubDate>Mon, 27 Sep 2021 16:08:39 +0000</pubDate>

		<dc:creator>Ülkü Çağlayan :: ülcue chalayan</dc:creator>

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a hand is a hand *
loneliness is also onenessjust hold your hand

	&#38;nbsp; &#38;nbsp;
	&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
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	<item>
		<title>FACILITATION</title>
				
		<link>https://ulkucaglayan.com/FACILITATION</link>

		<pubDate>Tue, 05 Sep 2023 09:21:35 +0000</pubDate>

		<dc:creator>Ülkü Çağlayan :: ülcue chalayan</dc:creator>

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&#38;nbsp; &#38;nbsp; BODY AS AN EROTIC SITEPlayshop, Embodied Research&#38;nbsp; &#38;nbsp; BODY AS BATTLEFIELDPlayshop, Embodied Research&#38;nbsp; &#38;nbsp; ENACTING OURSELVES
Social Experiment, Preparation&#38;nbsp;&#38;nbsp; &#38;nbsp; SOCIAL BREATHING&#38;nbsp;Social experiment, Invitation, Interconnectivity, Cyanobacteria&#38;nbsp; &#38;nbsp; SOCIAL DREAMING MATRIXSession
	 &#60;img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/62dbd5e89f28da2d897a4d5ff2a3a51d30e8ae8196fd45a1291367d1b2ec52cf/export-0001110241024_1.png" data-mid="189807037" border="0" data-scale="37" src="https://freight.cargo.site/w/1000/i/62dbd5e89f28da2d897a4d5ff2a3a51d30e8ae8196fd45a1291367d1b2ec52cf/export-0001110241024_1.png" /&#62;&#60;img width="856" height="145" width_o="856" height_o="145" data-src="https://freight.cargo.site/t/original/i/4e1c3e7b1a8755ad16d828dac518d7ba89f41eb936b8c70bf92176ddf31769a9/sdm-story-05-line21.png" data-mid="190611986" border="0" data-scale="46" src="https://freight.cargo.site/w/856/i/4e1c3e7b1a8755ad16d828dac518d7ba89f41eb936b8c70bf92176ddf31769a9/sdm-story-05-line21.png" /&#62;
@email me for registration
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		<title>Poems and Dialogues</title>
				
		<link>https://ulkucaglayan.com/Poems-and-Dialogues-1</link>

		<pubDate>Wed, 27 Sep 2023 10:54:19 +0000</pubDate>

		<dc:creator>Ülkü Çağlayan :: ülcue chalayan</dc:creator>

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		<description>
	

&#38;nbsp; &#38;nbsp; A hand&#38;nbsp; &#38;nbsp; hidden face in our breasts&#38;nbsp; &#38;nbsp; sessiz otoriteler&#38;nbsp; &#38;nbsp; A Poem on Beautiful Questions&#38;nbsp; &#38;nbsp; Self-hypnosis: Home Is A Shared Breath&#38;nbsp; &#38;nbsp; Thinking Pink For A Moment
&#38;nbsp; &#38;nbsp; S/ES&#38;nbsp; &#38;nbsp;Köpek Dişi &#38;nbsp; &#38;nbsp;&#38;lt; not today &#38;gt;
	
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		<title>We Were Never Meant to Survive</title>
				
		<link>https://ulkucaglayan.com/We-Were-Never-Meant-to-Survive</link>

		<pubDate>Thu, 31 Aug 2023 09:18:36 +0000</pubDate>

		<dc:creator>Ülkü Çağlayan :: ülcue chalayan</dc:creator>

		<guid isPermaLink="true">https://ulkucaglayan.com/We-Were-Never-Meant-to-Survive</guid>

		<description>
	

&#60;img width="1086" height="448" width_o="1086" height_o="448" data-src="https://freight.cargo.site/t/original/i/8bb9d0d485948a529fe26d3ef4433739bada0e5ef315a77835737771781566de/Screenshot-2023-09-14-at-14.32.01.png" data-mid="190744355" border="0" data-scale="45" src="https://freight.cargo.site/w/1000/i/8bb9d0d485948a529fe26d3ef4433739bada0e5ef315a77835737771781566de/Screenshot-2023-09-14-at-14.32.01.png" /&#62;

	
	2022 Something is About to Happen But Does Not, Will Not, or Can Not, Text


	2023 WE WERE NEVER MEANT TO SURVIVE, Video, 8.30’Proposing a speculative world where I imagine humanity on a battlefield and see desire as the key to cultivate resilience. In this performance for the camera, a group of non-trained performers come together to pre-enact this speaculative scenario and prepare mentally &#38;amp; emotionally for death and dying together.

	
	2023 We Were Never Meant to Survive, Sound, 8.59Click for the sound︎︎︎
With sound design and musical composition by 
 Ayse Zeynep Hatipoglu &#38;amp; Metehan Kokturk, Conceived to embody the scores and the cues of the accompanying the performance it incorporates my spoken word performance, drawn from the text I have composed and used for the direction of the performance.

The musical composition blends electronic sounds with a stylistic change of instruments such as violoncello, electric guitar, darbuka. It has manipulations over the acoustic instruments and repetitive and strict rhythmic lines to&#38;nbsp; reflects the imminent state of being. 
Art Direction: Ülkü Çağlayan
Set Design: Defne Özdoğan
Sound Design &#38;amp; Musical Composition: Ayşe Zeynep Hatipoğlu &#38;amp; Metehan Köktürk
Costume Design: Clara Jedrecy
Camera: Ela Kazdal &#38;amp; Gözde Karaoğlan
Editing: Ela Kazdal
Performers: Elif Cemre Özkan, Gupse Esila Ay, Maya Ela Uyğun, 
Mirel Ergeneli, Zeynep Sinan&#38;nbsp; 

The title of the work quotes radical feminist, philosopher Audre Lorde’s&#38;nbsp; poem "A Litany for Survival”, 1978.


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		<title>Brink of the Abyss</title>
				
		<link>https://ulkucaglayan.com/Brink-of-the-Abyss</link>

		<pubDate>Thu, 31 Aug 2023 10:08:17 +0000</pubDate>

		<dc:creator>Ülkü Çağlayan :: ülcue chalayan</dc:creator>

		<guid isPermaLink="true">https://ulkucaglayan.com/Brink-of-the-Abyss</guid>

		<description>
	
	
&#60;img width="6000" height="4000" width_o="6000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/ea622e7ad6b9b106a2e992657f798a4256bb8553723a39949d7f28b2afc7bd0d/8N7A6187.JPG" data-mid="189386633" border="0" data-scale="67" src="https://freight.cargo.site/w/1000/i/ea622e7ad6b9b106a2e992657f798a4256bb8553723a39949d7f28b2afc7bd0d/8N7A6187.JPG" /&#62;
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&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/105c83e5b52b387d6c1c08c0edb871e8824c7059ca38d4d9fbaf205ec63a7fe8/Copy-of-ulku0355.jpg" data-mid="190131615" border="0"  src="https://freight.cargo.site/w/1000/i/105c83e5b52b387d6c1c08c0edb871e8824c7059ca38d4d9fbaf205ec63a7fe8/Copy-of-ulku0355.jpg" /&#62;


	2023 BRINK OF THE ABYSS, 2-metre Glass bow, string, animal fur and four arrows
This work is the imminent state of transformative experiences such as an implosive orgasm, love or death.
 
In spite of the rigid and static form of the suspended arrow and bow they convey a sense of readiness to shoot.

Made from glass its non-flexible structure paradoxically emphasizes the significance of war rituals and the necessity of thoughtful consideration before violence. 
This weapon specifically utilizes vagina fluids for intentional killings on the battlefield.
 
Referring to Georges Bataille’s definition of the erotic as sexuality unto death or the brink, the erotic becomes a lacerating force that leads to the completely other or dissolution.


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		<title>Polyandrogynoustunnel for Continuous Bardos</title>
				
		<link>https://ulkucaglayan.com/Polyandrogynoustunnel-for-Continuous-Bardos</link>

		<pubDate>Thu, 31 Aug 2023 10:27:09 +0000</pubDate>

		<dc:creator>Ülkü Çağlayan :: ülcue chalayan</dc:creator>

		<guid isPermaLink="true">https://ulkucaglayan.com/Polyandrogynoustunnel-for-Continuous-Bardos</guid>

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&#60;img width="1024" height="768" width_o="1024" height_o="768" data-src="https://freight.cargo.site/t/original/i/7b961dd698c00bf9d53be0ad2a7654b922760a04e191a47a2cdc9d073178e0ac/Poly4.jpeg" data-mid="189388178" border="0"  src="https://freight.cargo.site/w/1000/i/7b961dd698c00bf9d53be0ad2a7654b922760a04e191a47a2cdc9d073178e0ac/Poly4.jpeg" /&#62;
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&#60;img width="768" height="1024" width_o="768" height_o="1024" data-src="https://freight.cargo.site/t/original/i/f492001dcc0b8850b0c32fa0914b198fadaec49e9bb4e49f2ed76f571adf5da0/Biraz-Alttan-Kesmek_.jpeg" data-mid="189388173" border="0"  src="https://freight.cargo.site/w/768/i/f492001dcc0b8850b0c32fa0914b198fadaec49e9bb4e49f2ed76f571adf5da0/Biraz-Alttan-Kesmek_.jpeg" /&#62;

Polyan
	
	2023 POLYANDROGYNOUSTUNNEL FOR CONTINUOUS BARDOS,

 
steel, cling film, soil, gold leaves, animal fur
In a realm where bodies turn into battlefields, the womb becomes a sacred sanctuary. 

This polytunnel serves as a space for communal death, acting as a shelter amid the battleground.

With its nature as a protective structure to cultivate yields it serves as a place to repair the collective traumas produced by the patriarchal, heteronormative and mononormative paradigms. 
It is a site of resistance, birth and dying to illuminate the fragility and specificity of articulations of sex, bodies, and natures suggesting new practices of ecological knowledges, spaces, politics. 


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		<title>Head to Head</title>
				
		<link>https://ulkucaglayan.com/Head-to-Head-1</link>

		<pubDate>Thu, 31 Aug 2023 10:46:20 +0000</pubDate>

		<dc:creator>Ülkü Çağlayan :: ülcue chalayan</dc:creator>

		<guid isPermaLink="true">https://ulkucaglayan.com/Head-to-Head-1</guid>

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	2022 HEAD TO HEAD, Performance, Social Experiment/Method, Wordplay &#38;amp; Imagery Istanbul Cinema Museum, Istanbul
In this performance, I brought together a group of non-trained performers who were directed to enact the state of upheaval of the myth called “The Cut Heads”–-rebellious heroes who embrace death rather than a lifeless existence dictated by those who are the head of the social contract.&#38;nbsp; 
The subtle bodily process research sought to invent a method for a speculative post-human, with bodies hidden in their heads, investigating how individuals or communities navigate fear and tense limbo through embodied imagination. 
︎︎︎ Link to Performance Excerptli︎︎︎Link to Excerpt: Rehearsals as Performance


 Link
	

2022 HEAD TO HEAD, Sound

~Coming soon~

cc
	
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		<title>Making Sense</title>
				
		<link>https://ulkucaglayan.com/Making-Sense</link>

		<pubDate>Fri, 01 Sep 2023 10:32:32 +0000</pubDate>

		<dc:creator>Ülkü Çağlayan :: ülcue chalayan</dc:creator>

		<guid isPermaLink="true">https://ulkucaglayan.com/Making-Sense</guid>

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Stills from the performance which was an intervention at the Theather festival
	

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Screenshots from the documentation and detail from installation


2020 MAKING SENSE, Research Creation,&#38;nbsp;Live Performance, Intervention&#38;nbsp; Installation, Publishing, Performance for Video

Istanbul, Bergama

These questions became a material envisaging a potential to become a collective adventure without necessarily as a communicative practice. As part of her performance the artist collects 65 beautiful questions from 9 specific people consisting of artists, dancers and thinkers by asking them one single question.

 In the live performance she “plays” with these questions offering two directions; an invitation to savor and relish the words and an invitation to withdraw from their imprisoning nature. She emphasizes the heaviness of intellectual processes by using the power of beautiful questions reflecting her fraught and paradoxical relationship with language and with thought.

Performance Curated by Performistanbul &#38;nbsp;

︎︎︎Link to Excerpt Recording
︎︎︎Link to Performance for Video, The anti-machine Side of the Mind︎︎︎Link to Artist Book


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